amy guion clay
Saturday, February 28, 2009
feb 28, 2009
i'm mad for trees
don't tell me it's been 5 days since last post
acrylic/mixed media on panel
Monday, February 23, 2009
feb 23, 2009
pentimenti
lots of layers, history
scraping back
laying on again.
acrylic on panel
Sunday, February 22, 2009
feb 22, 2009
only this part of the tree remained from
a whole forest of them - don't know why.
but am drawn to the strangeness of these
leaning gnarled remnants of trees.
acrylic on panel
sold
Thursday, February 19, 2009
feb 19, 2009
similar to the other but different
using the knife a lot
move between warm and cool colors
back and forth
feeling the need for something abstract next
acrylic on panel
feb 18, 2009
life takes over - no posts for a week
wanting to do a series of lotuses
same image, size
messing with it in subtle different ways.
"love it til you don't"
in this case, loving the lotus still.
acrylic on panel
sold
Thursday, February 12, 2009
feb. 12, 2009
the lotus
keep coming back to this image
open, receptive, beckoning.
accepted into an artist residency
in the kapadokya region of turkey for sept
dry, lunar-like, strange landscape.
what images to come ~
acrylic, mixed media on panel
sold
Monday, February 9, 2009
feb 9, 2009
this was done as a companion to
2 earlier paintings (1/19, 2/4)
someone is interested in -
sometimes the inspiration comes from
others response - love that co-creating thing.
acrylic on panel
sold
Sunday, February 8, 2009
feb 8, 2009
i like my images to evoke a sense of place
but never to give themselves away.
curiosity and imagination grab hold
more interesting to me than any defined place.
acrylic/mixed media on panel
sold
Friday, February 6, 2009
feb 5, 2009
reworked this from an earlier version
transfer of dandelion image,
painted, obscured somewhat.
oil, beeswax, resin pigment on panel
sold
Wednesday, February 4, 2009
feb. 4, 2009
this started with a leafy image
but it didn't want to stay
it's buried in there somewhere.
acrylic on panel
sold
Monday, February 2, 2009
feb. 2, 2009
moving between the full abstract painting
and the familiar imagery of natural forms
they are not mutually exclusive
sometimes a defined shape or image will
call to be included, sometimes not.
acrylic on panel
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